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May 13, 2010

Adam Sandler taking ‘Pixels’ to big-screen

Remember the short film Pixels, where video game characters from the ’80s take over New York? Happy Madison is turning it into a feature-length film. This news comes just a week and a half after Heat Vision noted that Hollywood is feeling shorts fatigue:

Now Hollywood is suffering a shorts overdose. Execs and agents realize a guy with a computer can create a spaceship over a city but wonder if that person can tell a story. And not just once, in a hyped-up short.

Adam Sandler seems to think this short has something special. Watch it again below because it’s just that awesome. Here’s hoping they don’t screw it up…

The French filmmaker behind “Pixels,” Patrick Jean, has teamed up with Adam Sandler’s production banner Happy Madison to develop a big-screen take. The team is in talks with Columbia, where Happy Madison has its first-look deal, to set up the project at the studio.

[Via Adam Sandler taking Pixels to big-screen.]

July 27, 2007

The Dark Knight (Official Teaser Trailer)

Ooh, doesn’t it just give you the chills? I can’t wait!

As seen here – The Dark Knight – Teaser

June 14, 2007

10 Minutes of Die-Hard 4 Online!

I stole the title from the original post but hey, I couldn’t come up with anything better. I’m too excited ^.^

This is good stuff, check it out!

From this place http://www.movieweb.com/news/93/20493.php which got it from this place http://meta.yahoo-streaming.jp.

May 31, 2007

Review: Hostel Part 2

I had the privilege of attending the first screening of Eli Roth’s Hostel 2 this evening so I thought I’d give something back by writing a quick review. I’ll start by laying out my lack of experience in all things Hostel: I have not seen the first film. Before you say “this can’t be an informed review”, let me tell you that I liked this film, and so might others who’s only excuse to skip this sequel is “I didn’t see the first one”. If you like horror films with more substance than slaughter, whether or not you’ve seen the first Hostel, give this one a try.

The movie picks up where the first one leaves off (I know this much because Eli Roth said so). Then the tone changes. It’s like you’re brought back out from the horror of the first one and into a new story with an unsettling knowledge of what is to come. From here on in, there’s plenty of things to make you squirm without shedding a single drop of blood.

You see, this time around, we follow not only the victims but also the killers. Seeing things from the killer’s point of view creates the same kind of character building that makes all these recent superhero movies so great: seeing the (somewhat) normal person behind the mask; learning what makes them tick; feeling (a little) bad for them when they get into trouble. Eli Roth does this brilliantly, giving you a look behind the scenes at this gruesome slaughterhouse and the disturbed people that keep it in business.

Of course, what would character building be without great acting. As Roth put it, the ratings board felt some of the scenes were too scary because the actors and actresses made them too real. He politely asked the board not to punish him for making such a good movie. What we get from this is a horror film with great acting, which is almost an oxymoron. We also get a movie which pushes the limits of the R rating with some pretty gruesome scenes.

While all horror films need a certain amount of gore to draw fans of the genre, many directors will stop there and call it good. I like films with a little more meat on their bones. I like to be truly scared. I wish more people made horror films like this.

February 11, 2007

SF Indie Fest – Beach Party at the Threshold of Hell

The San Francisco Independent Film Festival started on Thursday. Today I saw two movies, the first of which was “Beach Party at the Threshold of Hell” (the second was Mojave Phone Booth which I may write about later). It’s a dark comedy about America near the end of the 21st century after nuclear bombs have destroyed many of the largest cities. One brave man (Tex Kennedy) goes on a journey to find the forefathers of the new nation, including robot bodyguards, a cannibal, and a blind king. The violence in the film resembles Quentin Tarantino in gore and comic effect. With great acting from the whole cast and a great story to boot, this is a great first film from writer/director/star Kevin Wheatley. Recommended for fans of apocalyptic comedies, or films like Evil Dead or Mad Max.

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